Showing posts with label mixes. Show all posts
Showing posts with label mixes. Show all posts

Monday, June 20, 2011

International Transport Volume 5A - Clean it Up And Dub It

Kaori 6.19.11 021
(The idea behind these mixes - of pointing out little-known American music for Japanese audiences, and vice versa - has been inconsistently executed.  But now we're doing it for real - this is part 1 of a matched set, and the second part should go up in no more than a few days.  This one's for my Japanese friends.)

International Transport 5 - Clean It Up and Dub It

ここに集まった欧米に作った曲には、最近も、ちょっと前の曲も入ているのに、ほとんどダッブの生気からインスピレーションもらった。The Weekndは基本的にR&B,ピーキングラライトスはIndie世界から来たん、HolyOtherは多分テクノと言うんだけど、三つは似ているようにダッブ芸実使う。

俺は最近得にテキサスをはじめアメリカの南から2000年代に出たヒップホップにはまっている。”Screw”と言うスタイルは日本にほとんど知られていないけど、最近サイケデリック世界にも音響している。特にSalemというバンドを影響された。スローはキーワード。いわゆる”Syrup”麻薬がこういう雰囲気の作るのに強い影響あった。 ”Still Tippin’”は私が一番好きのScrew風な曲。

ダッブや、Screw、「ノイズ」もこのミックスの中心です。ClamsCasinoと言う、日本にまだ知られていないトラックメイカーはノイズだらけ、けどフックも信じられない。同じ用に、ビッグジャッスの「Dedication 2 Peo」はある表面にきれいの逆けど、美しいになる。

Playlist Next

Thursday, June 16, 2011

Best Music Podcasts

Note: I now blog at Blownhorizonz.com.  It's much prettier to look at, and more focused on fun stuff like weird fiction, extreme music, and awesome art.  Also check out my Tumblr at blownhorizonz.tumblr.com.

As a city knit together by public transportation and lots of walking, Tokyo has made me more of a podcast junky than ever.  And of course, what I'm looking for most of all is music-related stuff.  Strangely, there's not exactly a wealth of greatness out there, but here's what I've found:

Sound Opinions (Itunes)

Sound Opinions is the only podcast I've found that actually engages with music, in the deepest sense - talking about it, interviewing musicians, reviewing history, putting things in context, and making critical judgments.  It's fantastic that it exists, but it's a shame it's so unique, particularly since its hosts are well into middle age, and while they tend to have a great sense of perspective, they're not very adventurous.

And if I can resurrect an outdated slur, they're the very definition of "rockists."

Gorilla Vs. Bear

Gorilla Vs. Bear is an amazing site, featuring new tracks daily.  But my favorite feature is the monthly mix, which compiles the best stuff from their posts.  It's a reminder of how nice it is to put your faith in an expert curator, against the current norm of always being your own DJ.

Altered Zones

Most of what goes for GVSB is true here too, except that Altered Zones hosts a series of guest mixers to produce their monthly mix series.  Recent standouts include John McEntire and Ford and Lopatin.

Experience Music Project Oral Histories (Itunes)

Not technically a podcast (it's part of ItunesU) but exactly the sort of thing I'd love to see more of - lineup includes conversations with Krist Novoselic and Henry Rollins.

Dublab (Itunes)

A series of live recordings by of-the-minute bands.  As the name implies, skews towards downbeat, lo-fi grooves. I can specifically recommend the great set by L.A. Vampires.

XLR8R (Itunes)

A pretty mixed bag, as they frequently (and surprisingly) throw in some rather lame rock, but I still dip into it every once in a while.


You might have noticed this is a rather short list.  It defies sense, but there's a genuine dearth of compelling and creative music podcasts.  If you have other suggestions, post them in the comments!

Friday, April 1, 2011

International Transport Volume 4 - Black Music


Sometimes we need fantasy and sometimes that fantasy can be pretty and heroic and help us forget our problems by pretending to be someone we aren’t, doing something else.  But sometimes we need to deal with a reality that’s pretty dark – and maybe then, too, fantasy can help, but it’s a darker fantasy we need, something murky and menacing, something that might itself kill us if we’re not careful but that may also help us see a way out.

Tracklist after

Wednesday, February 9, 2011

International Transport Volume 3 – Dirty Black Ships

“Tranquility now is just future anarchy unbirthed.”


In 1854, Japan learned the wrong lesson from America and the West.  There wasn’t any real choice – faced with guns, technology, and aggression, the alternatives were to either answer with more of the same, or to capitulate with the rest of Asia, South America, Africa, and Native America.  And so Japan modernized, from the top down, sending its greatest minds for immersion in Dutch Learning and its greatest spirits to the concert halls of Vienna to learn the even temper of the West.  This westernized elite had, arguably, even more power than those who inspired it, because in addition to wealth, they had unique access to a whole system of values – about individualism, freedom, and ambition – while Japan’s peasants continued to be fed the ideology of self-sacrifice.  They didn’t always buy it, the human spirit isn’t that easy to squash.  But enough of them did.

Today, things may finally be changing, in at least one way.  Japanese mainstream pop music is among the world’s shallowest, a wad of bubblegum shoved into the social eye of the truth, run by a mafia-esque elite machine which independent voices haven’t got much of a chance of penetrating.  But a bunch of artists and labels are working hard to change that – to get other voices out into the world, where maybe they can inspire some peasants.  This mix is a gift for all of them, inspiration from West to East, a mess of messages from the bottom to the top – from the workers to the kings, from the disgruntled to the complacent.  It's dirty but it's beautiful.  It's scary but it's seductive.  It's loud.

It’s something you get better at with practice.

Playlist after the jump.

Saturday, December 25, 2010

Sun Murder: The Best of Japanese Underground Hip Hop (International Transport Volume 2)

Note: I'm now blogging at Blownhorizonz.com.  It's more attractive, and it focuses more on cool stuff like music and fiction.  Check it out!

International Transport Volume 2: Sun Murder
(Re-upped May 14 - please right-click to download rather than streaming, this link has limited bandwidth.)

Over the course of three years digging into Japanese hip hop, I’ve discovered tons of amazing artists.  What I’ve also discovered is that, even in this amazing digital age, this stuff can be tough to get for people outside of Japan.  So, here’s my first shot to remedy that – a nearly hour-long mix of my favorite underground tracks from Japan.  I start it off a little easy on y’all, but most of these qualify as weird. Tracklisting and some pretty extensive notes after the break – maybe that’ll make things a little easier going.  (Also, if you have trouble with the link, please leave a comment – I’m still a bit rusty at this stuff.)

Wednesday, October 6, 2010

International Transport Vol. 1: Slowly Summoning the Motivation to Kill Yourself Quickly

Two things have happened to me recently.  I've moved to Japan, and my interest in music has returned to just about the highest level since I was an undergrad.  I think it's the removal of the pressure of school - I can actually have feelings again.  So, in celebration of my return to the world of semi-normalcy, I'm planning on putting together occasional mixes - specifically, for the purpose of showcasing Western underground music to my Japanese friends, and in turn, Japanese music to my Western friends. The first one runs from West to East . . . or actually, from East to . . . wow, these geographical labels really don't work well.  Anyway, it's a collection of dubstep, electro-pop, and fuzzy post-soul, all of it cold, melancholy, or some combination of the two.

In Japanese, very roughly:国際通商、第一目:自殺教育

Minds Like Knives, International Transport Volume 1

Tracklist次に。