Note: I now blog at Blownhorizonz.com. It's much prettier to look at, and more focused on fun stuff like weird fiction, extreme music, and awesome art. Also check out my Tumblr at blownhorizonz.tumblr.com.
So, this past Friday was my first day at a new job. I'm on a trial period right now (okay, let's be precise - I'm an intern, and have been told that will be re-evaluated in a month or two). The opportunity is certainly interesting, I'm approaching it with an open mind, and it's amazing how little work it took. I literally emailed a guy and had coffee with him, then got an offer. I'm excited because it's an opportunity to learn the day to day of the business world as opposed to the academic, and show that I can hack it. Which, I think it's safe to say, I clearly can.
In many ways, this new position is not the kind of job that gets mentioned when the discussion turns to alternative careers for academics, or #altac. The buzzwords around that are generally things like research management, admin positions in academia, positions with government agencies - high-level glamour stuff. I, on the other hand, am for the moment basically a copywriter. My first assignment for the company, on a freelance basis, was actually writing SEO copy (the equivalent, in my humble opinion, of hiring Gustav Klimt to paint your house beige), and on my first day in the office I churned out some web copy.
But it might not be complete drudgery. I actually spent most of the day working on my new company's application for a local technology innovation award, and in the near future it looks like I'll be working on investor prospectuses. These are both tasks that exercise the analytic skillset I developed in my academic training. For instance, explaining the impact and potential benefits of my new company's technology efforts entails exactly the same sort of social-systematic analysis, projection, and inference that I use when writing about, say, the social impact of car audio technology (forthcoming in Technology & Culture!) The line of reasoning is reversed (what will happen vs. what did happen), but I immediately found that engaging. My new company's core offering is a business and social networking tool, and so I got to write about the knock-on efficiencies of networks. Pretty cool for my first day.
There are other big reasons I'm excited about my new path - mostly coming down to where I place my priorities. Literally the day before the end of my academic appointment at the University of South Florida, I finished and submitted a proposal for an academic book. I am excited by the possibility of having that book accepted for publication, but the process of preparing the proposal reminded me that, while there are certain kinds of enjoyment that come with academic writing, there is nothing fun about it. I want to do things that are fun.
At about the same time, I asked a friend of mine who had recently finished a popular nonfiction book for some details about numbers - and they were eye-opening, maybe even staggering. She was able to live for a year-plus on the money for writing a 200-odd page book, which I am sure I would have no problem blowing through in four months. She made more from her book than I did from my postdoctoral fellowship. I'm sure many other academics are genuinely not interested in writing for popular audiences, and I know there are a large number who are truly incapable of writing with humor, verve, and insight at the same time. But as someone who has that ability and actually thinks the work is important, some very simple math makes it absolutely foolish for me not to pursue the possibility.
And so I'll be spending my mornings before work putting together a proposal for a book on conspiracy theory and its impact on American politics - a topic I'll also be blogging about over at my new site, Space Lizards in Black Helicopters (Spacelizards.com - and yes, I know it's the greatest URL of all time. Thank you for saying so). This simply isn't something I would have been able to do as a first-year (or maybe even sixth-year) tenure-track professor. The grind of academic research, teaching, and writing is draining, most of all on your creative resources. There is no downtime - even your summers are dedicated to research and teaching prep. There is no time that you can truly call your own, or that will allow you to pursue other applications of your gifts.
For some people that's okay, because teaching and research are truly their focus in life. I'm not so sure that's true for me. And in my new office, though there's a good bit of the new-startup buzz that can suck you in if you let it, it also seems perfectly okay to put in your eight hours and then simply go home. The possibility of truly making a living by working seven hours a day, even after my time as a relatively time-rich postdoc, is pretty exciting. And it's also exciting that I will be going home to work on a book that more than 500 people might end up caring about.
But then again, I did send out those academic book proposals. I did finish a major publication, also just as I was headed out the door. I certainly am working to keep my options open as an academic. Maybe the urge to write about Lacan will catch up with me in six months. Maybe I'll discover that the professional 9-5 world is less generous with my time than I'm seeing so far. I am, unapolagetically, hedging my bets. I'm keeping multiple options open - and more than any idea of simply ditching the tenure track, I think that should be the key theme of the #altac movement. Having options is not something academics or academics-in-training generally keep in mind, but if they did, maybe it would put enough pressure on things like the adjunct pool and salaries to start having a real impact.
Showing posts with label alienation. Show all posts
Showing posts with label alienation. Show all posts
Sunday, August 11, 2013
Tuesday, August 6, 2013
My Last Day As an Academic: What An Academic Departure Leaves Behind
Note: Not unrelated to the transition covered below, I now blog at Blownhorizonz.com. It's much prettier to look at, and more focused on fun stuff like weird fiction, extreme music, and awesome art. Also check out my Tumblr at blownhorizonz.tumblr.com.
Today is my last day at USF, and I'm doing the final cleanout of my office, while simultaneously finishing final revisions on a journal article. Yesterday, I finished submitting my academic book proposal. I've engineered a pretty perfectly punctuated departure, I must say.
In the course of cleaning out my office, I've found I have a weird relationship to paper and information. I guess it's not just me . . . we were all very excited when it looked like we might be moving into a post-paper world, but that didn't quite work out, did it? I have stacks and stacks and stacks of paper, mostly printed out from the digital versions of books that I couldn't find physical copies of. Some of the material I've got sitting around is simply ridiculous. For example, I have a copy of Michael J. Raine's 2002 dissertation Youth, Body, and Subjectivity in the Japanese Cinema, 1955-1960. It was given to me by John Peters, who just happened to have a printed copy of it sitting around his office, and knew I was writing and thinking about Japan. It's about 400 pages long and weighs about ten pounds. Apparently I brought it with me from Iowa, put it in storage in my parents' house for a year while I was in Japan, then loaded it into a moving truck to bring to Florida. I never read it.
(Incidentally, a Google search provides no evidence that anyone named Michael J. Raine is currently working in academia, though I did find a corporate lawyer by that name on Linkedin. Hmm.).
I also have stacks of journal articles, mostly related to one project or another, mostly carried all the way from Iowa, and each either readily available online, or, even more embarrassing, actually saved on my hard drive. I'm in the process of either archiving .pdf copies of all of them from the usage-restricted archives I'm about to lose access to, or scanning them - printouts of .pdfs - back into .pdf form.
I know this is insane, but at least getting rid of the paper versions of these things is incredibly liberating. Leaving academia is, so far, incredibly liberating. The weight being lifted off my shoulders isn't just metaphorical (who knows if I'll ever write that academic book, and who cares), it's physical. Like, hundreds of pounds worth of weight.
Wheee!
Today is my last day at USF, and I'm doing the final cleanout of my office, while simultaneously finishing final revisions on a journal article. Yesterday, I finished submitting my academic book proposal. I've engineered a pretty perfectly punctuated departure, I must say.
In the course of cleaning out my office, I've found I have a weird relationship to paper and information. I guess it's not just me . . . we were all very excited when it looked like we might be moving into a post-paper world, but that didn't quite work out, did it? I have stacks and stacks and stacks of paper, mostly printed out from the digital versions of books that I couldn't find physical copies of. Some of the material I've got sitting around is simply ridiculous. For example, I have a copy of Michael J. Raine's 2002 dissertation Youth, Body, and Subjectivity in the Japanese Cinema, 1955-1960. It was given to me by John Peters, who just happened to have a printed copy of it sitting around his office, and knew I was writing and thinking about Japan. It's about 400 pages long and weighs about ten pounds. Apparently I brought it with me from Iowa, put it in storage in my parents' house for a year while I was in Japan, then loaded it into a moving truck to bring to Florida. I never read it.
(Incidentally, a Google search provides no evidence that anyone named Michael J. Raine is currently working in academia, though I did find a corporate lawyer by that name on Linkedin. Hmm.).
I also have stacks of journal articles, mostly related to one project or another, mostly carried all the way from Iowa, and each either readily available online, or, even more embarrassing, actually saved on my hard drive. I'm in the process of either archiving .pdf copies of all of them from the usage-restricted archives I'm about to lose access to, or scanning them - printouts of .pdfs - back into .pdf form.
I know this is insane, but at least getting rid of the paper versions of these things is incredibly liberating. Leaving academia is, so far, incredibly liberating. The weight being lifted off my shoulders isn't just metaphorical (who knows if I'll ever write that academic book, and who cares), it's physical. Like, hundreds of pounds worth of weight.
Wheee!
Thursday, March 14, 2013
Notes for "Re-Wilding: Contemporary Psychedelic Music and Anti-Civilization Rhetorics"
For a paper currently under revision:
The sonic character of contemporary psychedelic music constitutes an argument (or at least an assertion) about the nature of signification. Its claim can, however, be read in two ways. Psych may be actively deconstructing the clarity of contemporary recording, just as Zerzan advocates for the erosion and eventual abolition of language. Maybe psych is straining for some parallel musical form of the wordless 'pure experience' that Zerzan fetishizes. Or maybe it's something quite different - maybe what psych is telling us is that the imperfection is where the appeal lies, both in music and in language. Maybe psych is the valorization of the spaces between, of the failures - yes, of the apparent freedom those moments bring, but also of the continued struggle for clarity.
This is why were are specifically talking about contemporary psych, and particularly about its noisy tendencies. Just as Pierre Menard could rewrite Don Quixote in the 20th century and have it received as an entirely different and brilliant work, contemporary psych musicians can harken back to the fuzz and grime and recording imperfections of their 1970s progenitors, and their sounds have an entirely different meaning. They live in an era where some sort of perfection is possible, and they consciously reject that.
Also likely relevant - Greg Milner's Perfecting Sound Forever.
The sonic character of contemporary psychedelic music constitutes an argument (or at least an assertion) about the nature of signification. Its claim can, however, be read in two ways. Psych may be actively deconstructing the clarity of contemporary recording, just as Zerzan advocates for the erosion and eventual abolition of language. Maybe psych is straining for some parallel musical form of the wordless 'pure experience' that Zerzan fetishizes. Or maybe it's something quite different - maybe what psych is telling us is that the imperfection is where the appeal lies, both in music and in language. Maybe psych is the valorization of the spaces between, of the failures - yes, of the apparent freedom those moments bring, but also of the continued struggle for clarity.
This is why were are specifically talking about contemporary psych, and particularly about its noisy tendencies. Just as Pierre Menard could rewrite Don Quixote in the 20th century and have it received as an entirely different and brilliant work, contemporary psych musicians can harken back to the fuzz and grime and recording imperfections of their 1970s progenitors, and their sounds have an entirely different meaning. They live in an era where some sort of perfection is possible, and they consciously reject that.
Also likely relevant - Greg Milner's Perfecting Sound Forever.
Labels:
academia,
alienation,
dreams,
noise,
psychedelia,
psychoanalysis,
sound,
surreal
Friday, July 20, 2012
Batman Shooter was a PhD Candidate: Let's jump to some conclusions.
So, the BBC is reporting that James Holmes, who apparently shot nearly 50 people in a paramilitary-style attack on a movie theatre near Denver, was a former neuroscience PhD student at UC-Denver. This adds to a lengthening chain of doctoral candidates who kill, including Gang Lu at the University of Iowa in 1991, and James Eaton Kelly at the University of Arkansas in August of 2000. Both of these were individuals who, while obviously insane in the way most homicidal people are insane, were immediately motivated by career difficulties. Lu was unable to find a professional position on graduating, and Kelly had been drummed out of his PhD progam.
Obviously these are widely scattered incidents and there is no metanarrative to be drawn from them, much less any speculation to be done about this current tragedy. But it does point out the fact that the academic world is tied into the same competitive and high-pressure system that encompasses the rest of America, with its disgruntled postal carriers, police officers, and office drones. These expressions of malevolent rage come from people who seek validation and worth in their careers and, when it isn't forthcoming, have no ongoing reason to engage in society. It's that disconnection from society - utter, complete alienation - that allows such things to happen. And the isolating, hypercompetitive, high-pressure world of graduate school is a potent brew for those already disposed to instability and violence.
Obviously these are widely scattered incidents and there is no metanarrative to be drawn from them, much less any speculation to be done about this current tragedy. But it does point out the fact that the academic world is tied into the same competitive and high-pressure system that encompasses the rest of America, with its disgruntled postal carriers, police officers, and office drones. These expressions of malevolent rage come from people who seek validation and worth in their careers and, when it isn't forthcoming, have no ongoing reason to engage in society. It's that disconnection from society - utter, complete alienation - that allows such things to happen. And the isolating, hypercompetitive, high-pressure world of graduate school is a potent brew for those already disposed to instability and violence.
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